MEDIATHEK

In this piece (made in 1994), twelve years after Rosas danst Rosas, Anne Teresa De Keersmaeker renewed her collaboration with the composer Thierry De Mey. Work on the dance and the music was once more carried out simultaneously and in mutual consultation. The resulting performance was in every respect multi-layered. The simultaneous creation of the music and the dance during the working process assumed particularly complex and often innovative forms. Dance structures generated sound material, and vice versa; or music and choreography both started from an external element, such as the spiral form, and in this way developed their own material. (...)

by Marianne Van Kerkhoven  https://www.ictus.be/project/amor-constante-m%C3%A1s-all%C3%A1-de-la-muerte