Two obsessions that contain the concept of infinity are fused into one to give this book origins, the first of Edgardo Mercado for Contemporary Ballet: the overwhelming perfection of the circle and the difficulty of representing time.
The image of the "eternal return" enables a way to take this picture as an infinite advance, crossing the finite circumference to return to the initial state.
Rotonda is intended to reflect this vision anxiety about the envelope flow of time, obliterates or redeemed. Rotonda is the space that speaks of the time.
(quelle: http://www.alternativateatral.com/obra13911-rotonda)
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Ballet Contemporáneo del Teatro San Martín