In his experimental film portrait of Meg Stuart, French filmmaker and photographer Pierre Coulibeuf stages the action without pictures from her pieces. There is also no spoken language. Stuart’s choreographic research is translated into a fictional narration, whereby Coulibeuf’s film doesn’t create any logical behavior, but rather structures and mental spaces. Stuart and her dancers improvise and rework structures and material between daily life and theater at locations that are meaningful to her: in the city of Zurich, in her old apartment in Brussels and at the Palais de Tokyo in Paris. These spaces in between bestow a high level of independence and intensity to the movement material. Meg Stuart’s choreographic story turns into a personal flip book that she peruses in any given direction.
A film by Pierre Coulibeuf
Adapted from a special creation by Meg Stuart
WITH: Michael von der Heide, Christoph Homberger, Christoph Marthaler, Simone Aughterlony, Graham F. Valentine, Thomas Wodianka, Davis Freeman, Antonija Livingstone, Benoît Lachambre, Philippe Beloul, Varinia Canto Vila, François Brice, Lilia Mestre, Ugo Dehaes and Meg Stuart
MUSIC: Derek Bailey
IMAGE: Julien Hirsch
SOUND: Michele Andina, Quentin Jacques
EDITING: Jean Daniel Fernandez Qundez
PRODUCTION: Chantal Delanoë
CO-PRODUCTION: Regards Productions (FR), Halolalune Production (B), RBB/ARTE, RTBF, SF DRS, Mezzo, TV10
With the support of Centre National de la Cinématographie, MEDIA, Ministère des Affaires étrangères, TV5, Sveriges Television / SVT, NRK Culture, RAISAT, YLE Teema
In collaboration with Damaged Goods
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