One of the greatest love stories in the greek mythology is a source of inspiration and trame-development. Eurydice, without Orpheus, goes to the Underworld. She is involved in the same story, but he is not present. Her dreams and imagination are the guide for her travel into the world of the Shadows.
The sound rescearch about new sounds and timbres is an strong inovativ element.
Very small instrumental ensemble of 7 musicians and one singer allows a performance of low budget but very intense artistic suggestion.
One opera with extreamly high exposure of the resolution of solitude and a marginal picture of a contemporary Eurydice. It is a woman with many faces who undergoes transformations according to the psychological moment. In the “Voyager” she travels in time at the edge of the Styx, in “For a look” she is the Eurydice that requires Orpheus to look at her, not being aware of his pact with Charon. (Charon and Orpheus have a pact, to bring her out only from the Underworld with the condition not to look and not to speak with her).