1.Representations of corporeality vary in different social groups.
Indeed, the body is always socially invested in specific ways. The body that we see is far from being a definitive reality.
Walking action, natural movement, spontaneous to automatic.
Abstract willingness affected by the light, the movement of the sound, the geometry from one point to all directions, the lines and curves. From abstract to narrative affected by your rhythm, my rhythm out of rhythm, how you look, where you look and why you look. Leading to a change or transformation of me, you and us. Expected or not, but it's an information translated to a code in movement. Movement to decipher codes.
2. What are the minimum conditions of recognition of what is seen?
Does the performative context determine the interpretation of movement?
Through recognition, how does a meaningless movement become meaningful?
Now and Then, Here and There explores these questions and other issues. Actions that change identities and question relations.The body of the performer becomes the battleground for two stories unfolding themselves in the same time and space.
[Quelle: Abendzettel]
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Der Trailer von "Now and then, here and there" ist auf der Seite von Tanzforum Berlin verfügbar.
1. José Paulo Dos Santos, Youness Khoukhou, Radouan Mriziga, Mohamed Toukabri 2.Polina Akhmetzyanova, Camille Durif Bonis (Simon Portigal während der Proben), Néstor García Diaz, Siet Raeymaekers, Cyriaque Villemaux