MEDIATHEK

INCORPORER ' accompanied solo #1 From front to back-stage, boy to girl, performer to choreographer, from air to water, internal to external sound, from the supple roundness of the aerial balloon to the rigid, rectilinear edge of the heavy cube, this simple layout already triggers a thousand connections. Except that subtlety, calculating the distance, is the primary characteristic of this production that invites us to the floating happiness of reflection, much more than to the constraints of commentary.... ce qui reste - accompanied solo #2 To incorporate what remains of the preceding experience: INCORPORATING. To structure a body around the tracks of the 'places' where we have been. The work that I intend to develop follows on from three experiences that profoundly shook me, and which move from a professional to a personal level. These three experiences form a field in which memory plays a fundamental role. The question of intention in movement, and of the thought-process that proceeds or accompanies this, remains at the heart of this piece. The interpretation, the production of the choreographic score are directly fed by the dance being performed, simply by being in the here and now. ici au coeur - accompanied solo #3 premiere This solo is attached to the first two pieces, INCORPORATING what remains; it will merge with them as it is created. The subject covered will spring from the position of its principal performer, Edith Christoph, in the two previous pieces in which she is initially spectator, then listener. This new piece is designed to counterbalance the previous two, there time stretches out, dilates; here it contracts, giving way to rupture, acceleration, accident, fall and precipitation... [Quelle: http://www.charleroi-danses.be] / jst