La vision du lapin is given to be seen like a draft, a state of creation, a building site which authorizes its inauguration: confusion enters the space of the auditorium and that of the stage, indecision of the time of the representation : when it starts, did it really already start? The performance assigns to the spectators an unusual place: taking part in, filmed by a video camera, visible on the screen, and therefore on stage, the spectator is recovered, with its defending body, used as substance to the creation. The video camera is the center piece of this set up: an inseparable tool of the dancer in rehearsal (instrument of controlling themselves) and a scenographical element of the performance, filming the spectator who sees himself looking, it does not finish sapping the base of a comforting unit: it dislocates the performance by multiplication of the plans and the points of view.
Laurence Yadi, Nicolas Cantillon
Laurence Yadi, Nicolas Cantillon, Polar, Daniel Demont
Château Rouge, Annemasse - France, Rui Horta /Centro coreografico, Montemor o novo - Portugal
Conseil Général de la Haute-Savoie - Annecy, Ville de Genève, Loterie Romande, Institut Franco-Portugais
ADC studio Geneva, Théâtre Saint-Gervais, Théâtre de l'Usine
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