MEDIATHEK

Why not (?) searches for the embodiment and definition of today's (hopeless, isolated, scared, over-identified) body of the individual and the affective space of care between (at least) two people/entities, as a practice that can be further developed with the collective (audience). In such a framework, the authors specifically investigate the technique of unison, i.e. "sameness" as a performing means of dance and as a cultural-artistic practice that carries with it an important historical framework of application: from the multi-purpose aesthetic-poetic application in artistic works of different epochs in the history of dance development (in the 20th century) to a targeted ideological and technological tool for shaping the social body of various social orders (communism, fascism, capitalism, etc.). The goal of researching unison in the choreographic sense is to study the space for creating glitches through which differences on the affective, cognitive, physical level and time will be articulated, in the physical sense, to articulate multiple identity transformations as spaces of different social and physical powers and abilities, and thus also as a basis for political, engaged and critical association and co-existence today. 

Performance: Ivana Kalc, Igor Koruga
Music: Luka Major
Design: Andrea Žic Paskuči
Photography: Karlo Čargonja
Production: Kabinet
Co-production: Stanica Servis za savremeni ples, Hrvatski kulturni dom na Sušaku, Rijeka;
Financial support: Republic of Croatia Ministry of culture and media; City of Rijeka; Ministry of culture and information Republic of Serbia
The work is part of artistic research supported by DAS THIRD Research program - DAS Graduate school, Academy of theatre and dance at University of Arts Amsterdam

Thank you: Kamov residential program Rijeka 

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