The company defines itself as a meeting place for artists of varying disciplines (visual artists, videographers, engineers…) to come together around choreographic projects. Each new work utilizes a performance principle derived from one of these encounters: - No body, never mind and TOPO (2001) is a two-part inquiry dedicated to the perception of the body and its distortion by images. It invites the spectator to redefine his or her modalities for seeing the body and its environment. - Le rêve (2002) captures the essence of this inquiry by creating a conversation between a film and a solo that both use the same medium: the performer’s body. - Play Mobile (2003) explores the limits of this same body in an all-encompassing sound environment, an enclosed space that confronts it with its limits. - Im-posture (2004) is a piece for two performers and a videographer that revisits an idea of Paul Virilio on the integral accident. (Quelle: http://www.experienceharmaat.com/en/portrait.html) egd